(a)wait

It’s so quiet. So quiet. So…
This waiting is killing me, this quiet, silent, waiting that never ends

For something to happen
categories of emptiness

I have no idea what I’m talking about
We sing and swing and live without light

Inside

Out – you go, no, don’t stay, go go go,

Gogo dancers, do they ever get cold?

Inhibition, intuition, into something, into other

me, you, us, them, everybody, anybody,
any body
arms, legs, feet, head,
everything in between
that place that says now now here here
me me me
whereverwhateverwhenever

that part that wants to shout in the street
at 3:30 in the a.m.
I don’t give a damn

fuck it just do it

damn damn damn

damn it go on just do it
all in, all win, all those sins
committed
original

that’s SO original
authentic, real
anyway, every day, all time any damn
and here’s me waiting to

stay stay stay

away, a ray of sunshine
when it’s gone
and it’s all so quiet
a swan, song;

through dawn and day
into the night, bright stars shining
and then lying on a bed in rome, lying, crying

sighing into the night

wishing waiting that maybe, possibly,
somebody just might
get lucky
happy
not frontin’
coz she wants to move

he just wants ta love ya baby
but he’s a hustler too
it ain’t where he been
but where he ’bout to – get back here when the lights come on
I don’t give one damn about Tyrone!
You gonna be back here when the lights come on

come on come on come on

oh come ON!

You did NOT just say that!
Yes I did
Yes I said it.
Yeah I did

And I really, really, really meant it

So take that big
bad wolf that’s howling at the
Put your pants back on! Gross!
Flicking back long blonde hair
Nails all polished
Eyes set on glare

Stare
Stair
way to go
It was heaven
Ya make me wanna
scream and shout

It’s 3 in the fuckin’ a.m. you crazy?
Come back here!

Don’t you dare.

 

© 2014 threegoodwords

 

honeymoon

 

Not PG rated.

 

spring 2

He was the last of the line, and she had the money. That was it really. He was the last of an old line, and she, or rather her father, had the money. She would get the name, her children would be highborn. He would get the money. It was a fair deal as these deals went. Others read novels of dashing young gentlemen fighting rogues for love, but she boarded a train so that he got the money and her father’s grandchildren would be called Sir.

Georgie had little illusions about what was expected of her. There was the ceremony and the toast and the dance. Then they were to take the train to the coast and from there cross over. Her father had already booked and paid everything, they would be travelling for three months. She was told to write and enjoy herself, maybe even take pictures. Nothing would change, save the fact that she was married and respectable, and that half the Continent would fawn over her. After the three months they would return and then she could start cleaning up the manor, putting money into it, getting it back to its old glory. It was all part of the deal, and Georgie knew her part in it.

He didn’t approach her until they were on the boat. They hardly talked on the train, except when he asked her if she was comfortable. She felt, rather than knew, that he disliked this arrangement, that he too felt sold somehow. He was the last of his line, but unlike most of his kind he didn’t look like the runt of the litter. The family had taken care to keep fresh blood coming in, so he was in fact quite decent looking. He was tall, which was nice, she reached him to his chin. His shoulders were broad like a butcher, probably there was a butcher’s boy somewhere in his blood line, you never knew what these families did to make sure the line didn’t go stale. He had dark eyes, black almost, with dark brown hair. His nose was patrician, a clean line, slightly curved but not hooked. He had very nice lips, soft and clearly defined, as if someone had taken them from one of those statues. Otherwise she saw long legs, and a very good taste in suits. He was, for the lack of a better word, a good-looking man, not pretty but attractive. He didn’t look like someone who indulged in silliness, though she could see him dead drunk on scotch and wine. She would wait and see how his habits were once they were back, people were always a bit nicer in foreign countries. Maybe because you had to stick together otherwise you got lost.

He approached her on deck. She was smoking a cigarette, the sea was calm. He stopped next to her, lit his own and exhaled, sliding one hand into his pockets. Georgie waited, but he said nothing. They stayed like that until the bell rang for tea, and he motioned if they should go back in together. Georgie nodded, they went back in. Inside, they sat across each other and she saw him order coffee instead of tea, he wanted none of the cake or sandwiches. She had one sandwich and a cake, she had hardly eaten any luncheon. He started talking then, asking her what she had seen of the country. She answered and that was how they started talking. It was pleasant, every now and then he flashed a smile. He had a nice smile, a little unsettling maybe, Georgie couldn’t say why. They talked well, he lit her cigarette for her, and once they reached port he helped her into her coat and waited for her.

They took the train to the capital and checked in at the George V, taking the suite her father had reserved for them. They went out for dinner, he said he knew a place she might like. It was nice, very French, but the food was delicious and she enjoyed every bit of it. On their drive back however, she began getting fidgety, but did her best not to show it. They were married after all, this was part of the deal. She had to get pregnant at some point, the sooner the better. Her parents half expected her to be showing by the time she returned.

*

In the suite, Georgie took her time to change. In the bathroom she looked at her reflection, the chestnut hair, the wide, violet eyes. She wasn’t beautiful. She wished she was, but something was off with the symmetry. Her lips weren’t too thin, nor was her nose hooked, but she was plain. Her face was round rather than sleekly thin. She looked like a cherub rather than one of those cat-like creatures. If she had at least something dramatic, something that caught your eye, but all she had in that line were her eyes. They were very pretty. Oh, and her bust. She had large breasts for her frame, and child-bearing hips. She wasn’t ugly, but she wasn’t beautiful. She had that pleasant look that most men liked since it wouldn’t get others interested. She’d heard that from someone once, a teacher in school. It had hurt then, but now Georgie didn’t fight it. She would never look like one of those beautiful creatures on the silver screen. But her face was pleasant, and she had very good teeth.

Finally, Georgie was in her nightgown and wrapper. She kept herself from smoking another cigarette, downed the glass of whisky she poured herself and went out. He was standing at the open window, holding a tumbler, watching something by the look of it. He turned when she closed the door. He closed the window, crushing the cigarette she hadn’t seen in an ashtray. He drank one last sip from his scotch and put that down as well. He was in pyjamas and a house gown. Georgie didn’t know what to do. She had been told, Annabelle had been very explicit, married as she was herself, and Katie had giggled all through it, Georgie staring at her sisters, mouth shut, eyes wide. Yet, it was going to be done. His family expected an heir as soon as possible, and there was only one way to get one.

They were on the bed, under the sheets. He had already removed his shirt, but he still had his trousers on. He had removed her nightdress. Georgie was completely naked, staring at the ceiling. He had kissed her, but Tommy Chingham had already kissed her behind the shed, so she knew how that was. He was better than Tommy Chingham, at least he didn’t fill her mouth with his tongue and kept his hands to himself. He really had nice lips. He kept on pressing them gently against her cheek and neck and the back of her ear. The second time he started talking, asking, ‘Have you done anything like this before?’ Mystified, Georgie asked, ‘Like what?’ ‘Have you ever been with a man before,’ he asked, and Georgie blushed.

Peter Saunders had touched her breasts and slipped his hand between her thighs, brushing her silkies. He’d gone a bit further at that party, pushing two in, kissing her and doing things that opened something inside her and made him remove his hand in horror. He thought those days had started and only after they were in the light did Georgie realize what poured out of her wasn’t blood, but something else. Somehow worse. Georgie had been so ashamed after that she couldn’t face him again and avoided all the places she could meet him. But that was as far as she knew, so she shook her head. He nodded then, saying ‘I’ll be careful.’ Georgie didn’t know what to make of that and so just waited.

He touched her everywhere. He was kissing her and touching her everywhere, her shoulders and arms, her breasts, both, her sides and middle, her thighs, inside and out, her knees and calves, even her feet. He touched her everywhere and Georgie lay as she was, clutching the sheets. At one point he took her arms and wrapped them around his neck, that was before he moved over her, spread her legs and moved over her, kissing her more. She could feel what was there, Katie said penis to it, but Annabelle, naughty girl, she said cock. It was there, hard and hot, pressed against her, ready to do it. He stopped kissing her and then said ‘Ready?’ and she nodded because it didn’t really matter whether now or later, it would hurt anyway. She felt it first, broader, thicker than anything she expected. She was sure it would never fit and grabbed his shoulders, unable to say it. He said ‘Hold on’ and suddenly he was in and Georgie screamed. She tried not to, but the tears came and she couldn’t stop them. She heard ‘I’m sorry’ and ‘Don’t cry’ but she couldn’t stop it, it just hurt too much. ‘Should I stop?’ he asked and Georgie nodded because she couldn’t bear to feel that again. She couldn’t stop the cry when he removed it, but at least he was gone and Georgie turned away, curled up, so completely in pain there was nothing she could do to stop the tears from falling.

He tried twice more that night, but each time was as bad as the last until he understood that he could do nothing to make it better. Every time he entered her it hurt so much Georgie was in tears. He got up after the last time, got up and poured her a glass, at least she thought so, but he drank a large gulp first, before he filled it up more and brought it to her. She couldn’t sit, but she leaned on her arm and drank, feeling the scotch burn her throat and warm her stomach. She drained almost the whole glass after which the room quickly turned hazy. She didn’t remember much of what happened next, but it soon didn’t matter since she fell asleep anyway.

 *

They were at the sea. The house was beautiful and the staff was taking very good care of them. They had separate bedrooms, which was nice, since that way there wouldn’t be that unspoken thing between them. They were very friendly towards each other during the day, doing their best to be as civil as possible. Anyone watching them, anyone hearing them, anyone seeing them even, would never have guessed what agonies Georgie endured every night for the first two weeks. He tried every other night, or if it was very bad, then he left her to herself for three days. But he always came back, and Georgie prayed that he would finally realize that it would not get better. She tried everything, whisky and a long bath, she even tried those meditations Katie had talked of that were supposed to help, apparently it was supposed to help relax her. She could not pray though, but she did try what she could to calm herself, to relax herself, to just do something so that it wouldn’t hurt so much again, but nothing worked. At night all there was, was pain, and Georgie could see that he was getting impatient. If this continued for three months their marriage would be unpleasant. He was still willing to believe that she could not change it. Georgie didn’t want to think of what would happen if he started believing otherwise.

They were at the sea, and it was beautiful. It was evening, and Georgie was walking down the beach, it wasn’t too dark yet. As always, two things occupied her mind. The day as it was, and the night as it was about to come. The days were always pleasant. Eduard, she had finally come to call him by his name, even in her head, Eduard was a gentleman. He took care of her. He could be a bit rough in the way he treated the staff, but never mean spirited. He just expected them to do their work well. He took her for drives and they visited so many of his friends that Georgie was starting to lose track. They went swimming and sightseeing, they drank coffee in beautiful cafés and ate in wonderful restaurants. The days, the days were wonderful, but the nights… Georgie stopped and looked to the water. How did other women do it? How did they endure it? How by all the heavens did brothels work? And yet there had been that time with Peter Saunders where he pushed his fingers in and they both thought she had her period. That had never happened again and Georgie was starting to wonder if that didn’t have something to do with what she had to endure every other night. She hadn’t allowed another to touch her ever since Peter, too mortified that would happen again. She had read so much in these past two, no three weeks, on her condition, sneaking pamphlets and books into her room and hiding them between her clothes so no one could see them. She read so much that she slowly felt like a psychologist herself. The doctor had said there was nothing physically wrong with her. She was young and healthy and ready to have children. He said it sometimes took time to relax, but it wasn’t as if she was anxious with Eduard. Not during the day at least. At night however… Georgie walked on. How on earth was she to change this? How was she to make it happen?

 

© 2014 threegoodwords

don’t listen

writing 1 typewriter 1

A blank page can be an awful thing. It seems empty, but it isn’t. It’s filled with possibilities, words written, deleted, rewritten, crossed out, thought over, emphasised, loved, hated, wanted, reviled – and it never ends either.

I think the hardest part is to not listen. You know, those ‘Are you serious’ ‘Are you sure about this?’ ‘Is that good enough?’ and ‘Is that it?’ that whisper from the blankness of the page, sounding out the words in your head. And then it happens, the whispers grow louder and louder, talk, yell, shout and scream and suddenly you’re saying: ‘No no no no no no no no!’ It’s wrong! bad! awful! horrible! blergh!

Delete. Delete. Delete.

And then you’re back to square one, that blank page, that empty space that somehow is already filled with all the things you don’t want to say, all the things you wish to convey, and really need to get on the page. And the whispers just won’t go away.

So many times, too many times, listening has made me do something stupid – that is, I deleted everything in sudden horrified shame, which also meant all the words were gone, never to be retrieved, never to be seen again.

I stopped that.

I keep everything that makes me hesitate, sometimes even squirm, even the silliest scraps of words on paper. I keep them for one reason: between those words, hidden among the letters, there is usually something real, a thought, a word, a memory that I can use later when I know what it is that I’m after. It’s not always like that. Sometimes what I wrote is just really, really bad.

It’s sieving through the whispers and finding my inner compass that’s so difficult. The whispers like to override that gut-feeling that 9 times out of 10 is accurate, and even the tenth time it was right somehow. The whispers that seem to come out of the emptiness, they can get too loud, and the trick is not easy but possible: just don’t listen. Write it down. Write it all down. Even that sentence you know is silly. Even that word you just don’t want to use. Write it down. See it written out so that you know why it’s so horrible. It’s helped me countless times. In a way, when I see it written out, I finally know what’s so wrong with it. Until then it’s just words swirling in my head.

Then I let it rest for a while. Sometimes for a few days, sometimes a few weeks, it can go into months and years actually, but eventually I go back, and read everything one more time. It surprises me time and again how different the words look and sound just becomes some time passed. If I’m happy with it, I edit what needs editing, re-write, re-draft and re-do until it’s roughly where I wanted to be. Then I start over until I finally feel ‘Yeah… that’s about right.’ This takes time of course, and it can be (very) frustrating, but what really helps me is reading the books, poems and short stories I love best. They’re the proof that someone successfully managed to silence the whispers coming out of the (apparent) emptiness.

At one point I had something of a database of crap sentences, horrible plot twists, stupid little dialogues I wanted to turn into genuine conversations and failed, failed, failed. I keep them though, and go back to them when I can overcome the inner cringe, and sometimes – I can’t tell you how or why, there is a mystery to this craft of ours – I find that seed of thought, of feeling that I was aiming for and work from there.

© 2014 threegoodwords

once upon a time

milkshake

 

milkshakeThey talk about these things. They talk about ‘love on first sight’. Fireworks, violins in the sky, the whole nine yards. They write about it, sing songs about it, stage plays, make movies, but they never say it as it is. They never say it’s sitting in a diner, reading Yeats because you’ve got an exam coming, sitting in a diner drinking a milkshake because you like it, thank you very much, they don’t say you’re sitting in a diner reading Yeats, drinking vanilla and then the door opens and she walks in. They never say it as it is.

*

Bennie was in a good mood. No ‘good’ was not the right word. To explain Bennie’s mood, you had to explain Bennie, and explaining Bennie started with explaining her name. Bennie was in fact Albany, Albany Lord. Albany Lord, Albany from Albus, latin, white. It was ironic because Bennie was all but white. She was… now how do you call it. Nutwood. Praliné, but the caramel ones. She was dark on the white scale, but a smooth, even, ‘yummy’ colour as her Maman said, on every other. People asked if she was from the Caribbean, others talked to her in Portuguese expecting she was from Brazil. People expected a lot of things.

So here’s Albany, alba, white, and here’s Bennie Lord, black, noire, and whatever other words are out there to make Bennie cringe and blush. Yes, she can blush, thanks for asking, you just don’t see it a mile off like you do with Christine, but Christine could walk into a Poe and be Madeline, though that was a bit unfair. Bennie didn’t want Christine dead under a pile of rubble. Bennie liked Christine, because Christine understood Bennie in a curiously diachronic way. There, she finally used that word, yay!

cupcake 1So yeah, there was that. And there was Paris. There was always Paris. There was always that little lilt in Bennie’s English that yelled Vive la France! to the rest of Les Etats Unis. Bennie grew up in the Rue St. Béatrice, not far from the Patisserie Hermasse and the Boulangerie Martel. Madame Hermasse and Monsieur Martel were once married. The vows were said, wedding bells rang, the young couple moved in. Twenty years later, Madame Martel moved out and opened her own shop, selling simple homemade cakes and pastries, with her husband’s blessing of ‘You’ll never make it’. It was equal to the dépêche the Kaiser sent to Franz Joseph down south. Trenches were dug up soon after, and an endless war began. And above these post-marital hostilities, the Lords lived like rich refugees in Switzerland, watching the mayhem below. For ten years, those after the three in Munich and before the six in London, Rue St. Béatrice was Bennie’s home, world, universe. In Paris the Lords were Les Americains. In London, suddenly, they were ‘that French family in Nr. 20’.

So there was that. And then, for some reason, Bennie decided she would like to see what was on the other side of the Atlantic, if it really was the Land of the Free and the Home of the Brave. She signed up and was accepted and crossed the ocean. She landed on the soil so many other foreign feet had trod, landed in a jet plane and took up house on campus, and encountered her roommate Stacey. Stacey, or Stace’ first question was ‘Where are you from?’ and since it had become so common, her accent still slipped into alluring Gallic lisps and e’s, Bennie answered ‘Paris’ without thinking. ‘Texas?’ Stace answered and at first Bennie didn’t understand. Then she smiled and realized why her mother had – bitingly – said ‘Have fun explaining everything.’

‘No, the real Paris,’ Bennie explained.
‘With the tower?’
‘Yeah.’
‘Cool! So why’re you here?’
‘Pardon?’

And it was the French pardon, with the nasal aloofness of unexpected surprise.

‘I mean, come on, what did you leave France for?’
‘I’ve been in London these past years.’
‘So why not stay in London?’

How explain to this blue-eyed babe that she wanted to see what was beyond the horizon?

‘I’m on an exchange programme.’
‘Oh, ok. Cool. I’d like to do an exchange some day, y’know, maybe tour Europe, see the Oktober –thing, you know, just hang out. Were you there?’
‘Where?’
‘The Oktoberfest.’
‘A few years ago. We were visiting a friend.’
‘Really? Sweet! How was it?’

Loud, drunk, cheeky Italians everywhere. Traditional food in the house that was famous, cafés lining up streets like some corner in Paris, kissing Sebastian in that bar and smiling when he said he could show her the city the next day. The ancient churches, that castle that had something to do with nymphs and that restaurant with the perfect linguine. Sebastian’s flat near the river, the wide bed, the soft pillows, the coffee in the morning. Flying home with the others teasing her to the bone, knowing she had his number, certain she’d never call.

‘Nice,’ Bennie said.
‘I really want to go one day. I say, are you going to that writing thing later on? They say it’s a requisite.’

And that was the beginning of her life with Stace. Stace was sweet, Stace was fun, Stace sometimes said incredible things. Bennie liked Stace. She tried not to laugh at her in her head. Stace was adorable. Stace was Stace. And so there was that as well.

So, when Bennie walked into Louis’ diner that evening, dressed in a red-and-white outfit, fifties’ style, she was in a good mood. It was a mood that had everything in it, Albany, Paris and Stace, and yes, J.J. who kissed her lips before he opened the door, J.J. in a 50s football outfit, jacket, jeans and all, J.J. who held her hand, J.J. tall, dark and handsome, J.J. the other’s called Zen, J.J…. there was a lot to J.J. Bennie couldn’t explain. But there was J.J. that evening and Stace and the others, and they all walked into the diner together in their fifties’ outfit because Colwell’s party was always a theme party and this time it was the Fifties and they were all in petticoats and high collars, bobbie-socks and pig-tails. So they walked into Louis’ and Bennie was in a good mood, a calm mood, a mood that had everything in it, she walked in and scanned the tables and saw him and thought, ‘He’d fit right in’. She saw him and felt, he was the kind of picture you wanted to have on your screen, so when your computer fell asleep you could look and look and look again, enjoying the scenery. She saw him and thought and felt and looked back at J.J. and the others and wondered that she’d never seen him before, but you never knew with these things.

quote 1

*

She was with a whole crowd, all of them cool and laid back, all of them fit to slip into a music video and fill out the screen. They never explained how they did it, how they kept it, how they made it, how they simply stayed cool, no matter what they did. They laughed and smiled and teased, and some of them were as pale as milk. They were part of it, but still, without the core, dark and glistening, the pale flesh surrounding them would be nothing. They never explained how it was done, it just happened right in front of you and you couldn’t get up to join because that would be stupid and you’d never fit in. So you just sat and watched and saw that smile, you sat and watched and waited for her to look your way, but she never did, she was all eyes for that hunk at her side. You waited and watched, inconspicuously – now was that i-c-o or i-c-u? – you waited and watched, but nothing happened, she just kept that perfect smile and you lost all the taste for your milkshake, you wished for whisky instead, bourbon and big game hats, something that could let you lean against an oak-wood counter and look like another breed of cool. You thought of the Club back home and any thought of wood panelled smoking rooms was destroyed by the golf buggy hopping down the hills. No, you could never join them, you could never do it, you were the species of the perpetually drab and un-cool.

threegoodwords©2014

words words words

Words are tricky. Each one has its own character. Some come all sweet and simple, and suddenly get complicated without you knowing how it happened. Synonyms you never heard of turn up like juniper berries and pepper seeds – the taste, the flavour, is overwhelming. Meanings melt down everything in that one second you weren’t looking. And then there are those words that look perfectly solid, wonderfully whole – and they can’t even hold a sentence. Others transform in one paragraph and won’t fit anymore, no matter how you try to squeeze. food 4They’re too there, too present, sitting there, staring you in the face, daring you to keep them there like oysters on a plate … So after all the cutting and stirring, after hours and hours of tasting, testing, and rearranging everything … it all boils down to which word fits, which one’s the right pinch of salt, and which one’s perfect, exactly what you were aiming for, exactly what you wanted.

© 2014 threegoodwords

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