Do you remember life before the internet?
Reading without distractions.
Owning things: books, music, movies.
That particular silence outdoors.
Clothes that lasted.
Postcards.

…actually, why not?
Do you remember life before the internet?
Reading without distractions.
Owning things: books, music, movies.
That particular silence outdoors.
Clothes that lasted.
Postcards.
and the candle flickers
a quick wobble of light
letting shadows pass unseen
slip silently into the night.
*
roman letters written
like footprints on white
a sandy trail of thought
dripping grain for grain
into that part
so conscious
before a salty wave of recognition
floods it all.
*
and in all this
the silence lifting
a tripping beat
tum-ti-tum
life’s relentless drum
beating beautifully
in the sheltered home
of a ‘me’, a ‘you’
together
here and there
us, all.
© 2015 threegoodwords
from the east
a wind, alive, singing
sweeps through the forests,
unknown, unheaded
leaves shivering, golden-green
branches swaying in a quiet roar
a sky-filled sea.
two wanderers
walking in shadows, deep
the moon above
voluptuous, full, and bright;
in silence, side by side
their pace is steady
within the blues and greys
of ghostly light
sticks on stone, soil
where the climb is far too steep.

a cottage, large
stands silent, bright
at the edge of wooded darkness
where the wanderers stop
the taller one knocks.
the door slides open,
an old man speaks
forehead glistening in the firelight.
a question, an answer
a quiet exchange,
the door opens wider
warmth and scents and voices
and they enter with sighs, relieved.
like others eating, drinking,
some looking, speaking
a table is given
with food, steaming
rice and eel, and stews,
vegetables, soup
and cool, fresh beer.
eating in silence to reach their fill
they speak no word
nor  raise a glass, one to the other
yet in a flare of fire
black and silver, hidden
flash bright
revealing hilt and scabbard –
all of which the old man sees.
the platters empty
the cups refilled,
the taller pays, nodding
when asked if they have eaten their fill.
back at the fire
the coinage, bright
clearly curved, recognised
the old man knows, delighted
but to be sure,
he bites each one.
after all are bitten
there is no doubt
the winds have risen,
the tides have changed
the time has come.
in the room, received
mats fresh like grass
mattresses unrolled, candle lamps
a small coal stove
for the old man knows
they who have come must never be cold.
stealth tempered with time
the old man hides
parts a crevice, and sees in light
the two who came
with promises engraved
in hilt and scabbard
black and silver, clear and bright.
and the old man slips
swiftly, swiftly to his wife
whispers fiercely what he knows
the winds have risen,
the tides have changed
the black and silver, flashing white.
it is now, it is now
he dances, almost
joyous to live so long
to see and know
what had long been spoken
now it was just to wait
for the first gong.
and the wife smiles
nodding, disbelieving
convinced of folly
yet indulges with patience:
till the first gong promised
the old man must curtail his praise
and so he does
and the morning dawns
where hooded and silent
the wanderers depart,
but the old man stands
at the edge of darkness,
smiling, certain
that the winds have risen
that the time has come
against all odds
for he had seen what lay
in black and silver, promised, engraved
clear in the firelight.
© 2015 threegoodwords
It’s so quiet. So quiet. So…
This waiting is killing me, this quiet, silent, waiting that never ends
For something to happen
categories of emptiness
I have no idea what I’m talking about
We sing and swing and live without light
Inside
Out – you go, no, don’t stay, go go go,
Gogo dancers, do they ever get cold?
Inhibition, intuition, into something, into other
me, you, us, them, everybody, anybody,
any body
arms, legs, feet, head,
everything in between
that place that says now now here here
me me me
whereverwhateverwhenever
that part that wants to shout in the street
at 3:30 in the a.m.
I don’t give a damn
fuck it just do it
damn damn damn
damn it go on just do it
all in, all win, all those sins
committed
original
that’s SO original
authentic, real
anyway, every day, all time any damn
and here’s me waiting to
stay stay stay
away, a ray of sunshine
when it’s gone
and it’s all so quiet
a swan, song;
through dawn and day
into the night, bright stars shining
and then lying on a bed in rome, lying, crying
sighing into the night
wishing waiting that maybe, possibly,
somebody just might
get lucky
happy
not frontin’
coz she wants to move
he just wants ta love ya baby
but he’s a hustler too
it ain’t where he been
but where he ’bout to – get back here when the lights come on
I don’t give one damn about Tyrone!
You gonna be back here when the lights come on
come on come on come on
oh come ON!
You did NOT just say that!
Yes I did
Yes I said it.
Yeah I did
And I really, really, really meant it
So take that big
bad wolf that’s howling at the
Put your pants back on! Gross!
Flicking back long blonde hair
Nails all polished
Eyes set on glare
Stare
Stair
way to go
It was heaven
Ya make me wanna
scream and shout
It’s 3 in the fuckin’ a.m. you crazy?
Come back here!
Don’t you dare.
© 2014 threegoodwords
Words, images & collages tossed from a window.
Essays, notes & interviews on why literary fiction matters to human living
small press. great publishing.
but don't take my word for it
Home hub & scribble space of Prose Writer & Poet Kristiane Weeks-Rogers (she/hers), author of poetry collection: 'Self-Anointment with Lemons'.
A journey from one end of the bookshelf to the other