harvest

This is an experiment in dialogue, hence the lack of descriptive text.

A cottage at the outskirts of a village, tidily kept, smoke rising from the chimney. There is a garden with rows of vegetables, fenced in. Rolling hills spread out green around it, seamed by a dark forest. The sun is shining, birds are singing, there are a few clouds in the sky. 

forest hispotion dot com

Scene 1

‘Oi!’
‘Huh?’
‘You there! What’s that? What do you think you’re doing young man?’
‘Um.’
‘What? Lost your tongue? You do know that was my cabbage you were attacking, don’t you?’
‘It looked like a –’
‘A what?’
‘A boar, sir.’
‘A boar. Boy, do you think I’m daft?’
‘Sorry, sir, but we were just coming down and – it really did. Sir. I swear. Cally Boison can swear it too.’
‘Yeah, and I’m wearing my knickers on my head.’
‘Um.’
‘What?’
‘In fact… at least… is that a hat?’
‘It’s very fashionable these days. Talk of the town.’
‘Oh. Sorry. Missed that. Very nice. Very… modern.’
‘You think so?’
‘Oh, quite, quite.’
‘Wonderful. Got it half price. Well. Where was I. Yes. My cabbage. What were you poking into it for? Perfectly healthy cabbage, no need to murder it in broad daylight. And you really think it’s modern?’
‘The cabbage?’
‘The hat.’
‘Oh, that. Yes. Very. Modern, I mean.’
‘Wonderful, wonderful. It was my cabbage, you know. Very fine stock. Don’t always get them this good. And then you come around poking into it as if it were some marshmallow. Don’t you have any decency man? Imagine I was digging up weeds and you’d poked my head instead – !’
‘I checked, sir, you were in the kitchen, so no danger there.’
‘Ah, I see. Mischief by Design and Destruction of Personal Property. Well, I must say – do you really think it’s modern? In the New Fashion Weekly kind of way?’
‘The New Fashion – ?’
‘Weekly. The Bible of Fashion as I am told. Is it that?’
‘I don’t know –’
‘You don’t know? After what you did to my cabbage?’
‘I’m sorry, sir, slipped my mind. Just read it yesterday. Yes, very fashionable in the fashionable-weekly- fashion-bible way, sir.’
‘Ah, good, good. Glad to hear it. Cally Boison, you say? How’s his father doing?’
‘Um. Good, sir.’
‘Still on the drink?’
‘Not so much, sir.’
‘A boar, you say? Wild or domestic?’
‘Well. It was kind of… pointy, sir.’
‘Pointy.’
‘Like a… a… fox, sir.’
‘A fox.’
‘Or a cat.’
‘A pointy boar fox cat?
‘Well, we were chasing it, sir.’
‘The pointy boar fox cat.’
‘- Yes.’
‘Into my garden.’
‘Well -’
‘You’re Ham Felsher’s lad, aren’t you? When’s the last time you had a decent meal?’
‘Well, Cally and I -’
‘Where is he actually?’
‘Up there.’
‘Where. The tree? – You there! Stop eating my apples! Get down here right now! Cally Boison! I know where you live!’
‘Speaking of, sir, would you mind not telling -’
‘Who, Ham? Still got that temper, has he?’
‘Well -’
‘Tell your friend to stop digesting my produce and I’ll see what I can – Cally Boison, I can see you! Get your hands off my carrots!’
‘Sir, please, it’s just a couple -’
‘And then what? Do you even have a pot, or are you going to just boil it on a stone?’
Seamus!’
‘Mother of God. Yes, Ethel!’
What’s going on out there?’
‘You better get inside before she starts asking questions. Just negotiating terms, Ethel! Now, I’ll have none of that nonsense you lads get up to. You keep a civil tongue in your mouth, and I’ll count all the pots and spoons after you leave, you understand?’
What in God’s name are you talking about?’
Guests, Ethel! Boison and Felsher’s lads! They’ll be helping us out till the harvest! Aren’t you lads?’
‘Um. Well. Yeah? I mean, yes, sir.’
‘What about you, Cally?’
‘The whole harvest?’
‘Cally-!’
‘What? Seth, that’s the whole summer -!’
‘With three full meals and a bed to sleep in, if you want it, lad. You too, Seth. Now what do you say? Should the Missus come out and see the two of you and that carrot you’ve got in your pocket Cally Boison, or is it dinner?’

[…]

© 2015 threegoodwords

twice over

image

that feeling of having
walked through the alphabet
twice over

that sense that I’m
probably
repeating myself
once again

there are certain words
that crop up
over and over

and I’m waiting for
that blade of light
to sear through the clouds
dense and rising
with the awful dark
absence
of inspiration

©  2015 threegoodwords

one in many

flower tulip 8womendreamdotcom

‘sooth to the apple long in waiting
loaded dice in the garden walled
hoping for want of alter-
-natives come to the mount
hailing the greatest of all

two in the step of an altar
leaves spread crimson on graven gold
sky speaking curses to the one in many
lives lived ceaseless, manifold

then in sunlight one asking maybe
a wrong word written read and heard
in the dimness of a night’s torment
many things have been spoken
but few, so few, foretold.

© 2015 threegoodwords

windfall light

snail mail shapedotcom

thus, written:

Zeph, my friend
you would know
of the greatness in open spaces
green and bright

between the words
and whispers
that moment, after dark
the hesitation
the palpitations
rising with the hand to light

hoping for beauty
to come true in impending dreams
that vast tenderness
that antithesis of night

.

© 2015 threegoodwords

the art of life

clouds with boat

freedom
is not words spoken
alone

it is sang out loud
in the silence that is accepted
across a bridge, dividing
knowing what needs demanding
a rule unbroken
a law of life.

but those sunk in silence
deaf to the marvelous sound
will tell you, whisper, shout:
spring does not exist
fall is an advertisement
summer a ludicrous myth
but winter the truth that has come

not snow-sparkling white
children laughing during snowball fights
but wet and grey
full of frostbite
that’s the one
that is the silence that has come

until one, two, three and more
sing of the sun
bright in the skies
flowers below, shining
trees like seas
green and grassy
life bursting in all colours
rejoicing
second to none.

she laughs when i say
i am (not: shall be) myself
i have a place within
that is sacred, me

and there is that moment
the question, hope, wonder:
how long until that laughter fades?

until understanding pervades
that each and all
have their holy place
beating under their ribs
smooth on their skin?

freedom is not a request
it never was a favour
it is necessary
the natural state of all things
but no one said it was easy

like canvas waiting
clay cool in one’s hands
the art of life is
living
loving
being
free
.

© 2015 threegoodwords

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