*Alan Rickman squint*

What place in the world do you never want to visit? Why?

That is phenomenally suspicious question. Tell me, what exactly do you expect me to say here? No, I’m curious. Hell would be too prosaic, wouldn’t it. Other people, then. Naturally. But people are everywhere, aren’t they. They can be such a bother. Horrible. Though. Well. There is a certain kind of villainy, isn’t there, a kind of evil, that defies all sense and reason. A corruption of the soul, the kind that seeps into everything, and ruins even the simplest of pleasures. Yes. That is the kind of place one wouldn’t want to be in. Would you? Of course not. Who would? Now, that’s an interesting question. Those who revel in villainy. Those who corrupt for corruption’s sake. My conscience hath a thousand several tongues, and every tongue brings in a several tale, and every tale condemns me for a villain. Thrilling to play as an actor. Horrible to exist with as a human being. Quite a silly business, isn’t it. Being human. Unfortunately, we can’t ask the person who started the whole mess. Rather annoying, really.

© 2025 threegoodwords

aye me

courtesy of Stratford-upon-Avon’s Celebrated son

candles 5

sad hours seem long
or so the young lover sighs
in his rashness and melancholy
long written with
the heavy lightness of serious vanity
where misshapen chaos
builds well-seeming forms.

*

two houses, divided
ready to fall
bearing a son, a daughter
innocent of it all
until stars are crossed
and the young pilgrims meet
palm to palm
in the holy communion
of such innocent bliss

yet in the dark
eyes watch and watch
that know not peace
but hate the word as they hate hell
so furious enraged
against their soul’s hate
causing suns ancient to turn all fortune
and make one of many
who talk of dreams resting in an idle brain
to curse and cry in despair
a scratch, just a scratch!
so soon, too soon
triggering that rage
that would seal the fate of fortune’s fool

yet, in joyful sadness, a flight is made
with pleas to fortune, fickle fortune
to return all whole and well
but the mark was made
when sin from young lips were sweetly urged
and all cleverness cannot stop
that twist of fate
an apothecary’s drugs so quick
netting those lips by whose kiss
all hope subsides
and glinted steel ends love’s young life
after which what law there is declares:
All are punishéd.

*

What for then oh brawling love,
what for then if this loving hate
is anything of nothing
from which we first create
that heavy lightness, that serious vanity
wherein misshapen chaos 
creates well-seaming forms?
Aye me, sad hours seem long.

© 2014 threegoodwords

don’t listen

writing 1 typewriter 1

A blank page can be an awful thing. It seems empty, but it isn’t. It’s filled with possibilities, words written, deleted, rewritten, crossed out, thought over, emphasised, loved, hated, wanted, reviled – and it never ends either.

I think the hardest part is to not listen. You know, those ‘Are you serious’ ‘Are you sure about this?’ ‘Is that good enough?’ and ‘Is that it?’ that whisper from the blankness of the page, sounding out the words in your head. And then it happens, the whispers grow louder and louder, talk, yell, shout and scream and suddenly you’re saying: ‘No no no no no no no no!’ It’s wrong! bad! awful! horrible! blergh!

Delete. Delete. Delete.

And then you’re back to square one, that blank page, that empty space that somehow is already filled with all the things you don’t want to say, all the things you wish to convey, and really need to get on the page. And the whispers just won’t go away.

So many times, too many times, listening has made me do something stupid – that is, I deleted everything in sudden horrified shame, which also meant all the words were gone, never to be retrieved, never to be seen again.

I stopped that.

I keep everything that makes me hesitate, sometimes even squirm, even the silliest scraps of words on paper. I keep them for one reason: between those words, hidden among the letters, there is usually something real, a thought, a word, a memory that I can use later when I know what it is that I’m after. It’s not always like that. Sometimes what I wrote is just really, really bad.

It’s sieving through the whispers and finding my inner compass that’s so difficult. The whispers like to override that gut-feeling that 9 times out of 10 is accurate, and even the tenth time it was right somehow. The whispers that seem to come out of the emptiness, they can get too loud, and the trick is not easy but possible: just don’t listen. Write it down. Write it all down. Even that sentence you know is silly. Even that word you just don’t want to use. Write it down. See it written out so that you know why it’s so horrible. It’s helped me countless times. In a way, when I see it written out, I finally know what’s so wrong with it. Until then it’s just words swirling in my head.

Then I let it rest for a while. Sometimes for a few days, sometimes a few weeks, it can go into months and years actually, but eventually I go back, and read everything one more time. It surprises me time and again how different the words look and sound just becomes some time passed. If I’m happy with it, I edit what needs editing, re-write, re-draft and re-do until it’s roughly where I wanted to be. Then I start over until I finally feel ‘Yeah… that’s about right.’ This takes time of course, and it can be (very) frustrating, but what really helps me is reading the books, poems and short stories I love best. They’re the proof that someone successfully managed to silence the whispers coming out of the (apparent) emptiness.

At one point I had something of a database of crap sentences, horrible plot twists, stupid little dialogues I wanted to turn into genuine conversations and failed, failed, failed. I keep them though, and go back to them when I can overcome the inner cringe, and sometimes – I can’t tell you how or why, there is a mystery to this craft of ours – I find that seed of thought, of feeling that I was aiming for and work from there.

© 2014 threegoodwords

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