penning paper

writing naughty-foxdotcom

trying once, twice
to centre the liquid
doubt on one line
of thought and feeling

where sight contracts
to lenses shaded black
pink, blue like smokey bayou
bars of light, filtering

a piece of silence curved
fitted around the word
less of a momentary slip
of mind opening the window for a moment?

and, there, right there
that silence, sudden
soundlightimage
shattered
gone

until another moment
hopefully.

© 2015 threegoodwords

harvest

This is an experiment in dialogue, hence the lack of descriptive text.

A cottage at the outskirts of a village, tidily kept, smoke rising from the chimney. There is a garden with rows of vegetables, fenced in. Rolling hills spread out green around it, seamed by a dark forest. The sun is shining, birds are singing, there are a few clouds in the sky. 

forest hispotion dot com

Scene 1

‘Oi!’
‘Huh?’
‘You there! What’s that? What do you think you’re doing young man?’
‘Um.’
‘What? Lost your tongue? You do know that was my cabbage you were attacking, don’t you?’
‘It looked like a –’
‘A what?’
‘A boar, sir.’
‘A boar. Boy, do you think I’m daft?’
‘Sorry, sir, but we were just coming down and – it really did. Sir. I swear. Cally Boison can swear it too.’
‘Yeah, and I’m wearing my knickers on my head.’
‘Um.’
‘What?’
‘In fact… at least… is that a hat?’
‘It’s very fashionable these days. Talk of the town.’
‘Oh. Sorry. Missed that. Very nice. Very… modern.’
‘You think so?’
‘Oh, quite, quite.’
‘Wonderful. Got it half price. Well. Where was I. Yes. My cabbage. What were you poking into it for? Perfectly healthy cabbage, no need to murder it in broad daylight. And you really think it’s modern?’
‘The cabbage?’
‘The hat.’
‘Oh, that. Yes. Very. Modern, I mean.’
‘Wonderful, wonderful. It was my cabbage, you know. Very fine stock. Don’t always get them this good. And then you come around poking into it as if it were some marshmallow. Don’t you have any decency man? Imagine I was digging up weeds and you’d poked my head instead – !’
‘I checked, sir, you were in the kitchen, so no danger there.’
‘Ah, I see. Mischief by Design and Destruction of Personal Property. Well, I must say – do you really think it’s modern? In the New Fashion Weekly kind of way?’
‘The New Fashion – ?’
‘Weekly. The Bible of Fashion as I am told. Is it that?’
‘I don’t know –’
‘You don’t know? After what you did to my cabbage?’
‘I’m sorry, sir, slipped my mind. Just read it yesterday. Yes, very fashionable in the fashionable-weekly- fashion-bible way, sir.’
‘Ah, good, good. Glad to hear it. Cally Boison, you say? How’s his father doing?’
‘Um. Good, sir.’
‘Still on the drink?’
‘Not so much, sir.’
‘A boar, you say? Wild or domestic?’
‘Well. It was kind of… pointy, sir.’
‘Pointy.’
‘Like a… a… fox, sir.’
‘A fox.’
‘Or a cat.’
‘A pointy boar fox cat?
‘Well, we were chasing it, sir.’
‘The pointy boar fox cat.’
‘- Yes.’
‘Into my garden.’
‘Well -’
‘You’re Ham Felsher’s lad, aren’t you? When’s the last time you had a decent meal?’
‘Well, Cally and I -’
‘Where is he actually?’
‘Up there.’
‘Where. The tree? – You there! Stop eating my apples! Get down here right now! Cally Boison! I know where you live!’
‘Speaking of, sir, would you mind not telling -’
‘Who, Ham? Still got that temper, has he?’
‘Well -’
‘Tell your friend to stop digesting my produce and I’ll see what I can – Cally Boison, I can see you! Get your hands off my carrots!’
‘Sir, please, it’s just a couple -’
‘And then what? Do you even have a pot, or are you going to just boil it on a stone?’
Seamus!’
‘Mother of God. Yes, Ethel!’
What’s going on out there?’
‘You better get inside before she starts asking questions. Just negotiating terms, Ethel! Now, I’ll have none of that nonsense you lads get up to. You keep a civil tongue in your mouth, and I’ll count all the pots and spoons after you leave, you understand?’
What in God’s name are you talking about?’
Guests, Ethel! Boison and Felsher’s lads! They’ll be helping us out till the harvest! Aren’t you lads?’
‘Um. Well. Yeah? I mean, yes, sir.’
‘What about you, Cally?’
‘The whole harvest?’
‘Cally-!’
‘What? Seth, that’s the whole summer -!’
‘With three full meals and a bed to sleep in, if you want it, lad. You too, Seth. Now what do you say? Should the Missus come out and see the two of you and that carrot you’ve got in your pocket Cally Boison, or is it dinner?’

[…]

© 2015 threegoodwords

true genius

open book hungariansoultumblr

I wrote this some time ago, during one of those bad moments when the realisation that I just was really truly absolutely ohmygoodness definitely not there yet was very real. Ah, but the great thing about great writers is that, never mind how they make you feel like last week’s left overs, writing-wise, they also help you know that it is possible to do better, be better, try your best. Reading their writing is, next to the great story, also this lovely gift: somewhere, somehow, someone was able to touch that thing that is divine and turn it into perfect word-gold. Terry Pratchett was one of them. Dear Sir (he was knighted), you’ll be sorely, sorely missed. You made so many people laugh and think and feel and laugh again so many times, the world has really lost a true genius today. Rest in Peace. Or as the Librarian would say:
Ook!

Gosh, if I could only come up with something like Überwald, Bess Pelargic, The Agatean Empire, 71-hour Achmed or the Octarine Grass Country. Or simply the Anthropomorphic Personification of the Ultimate Certainty, the Grim Reaper a.k.a. Mr. Door. Terry Pratchett is a genius, a real and true genius, though I still think Rincewind is complete and utter twerp. The Night Watch with Commander Vimes and Carrot Ironfoundersson + rag-tag band of misfits and miscreants, the Witches of Lancre + kingdoms and villages, Ms Aching and the Nac Mac Feegles,  the University faculty + Librarian, and all the city Guilds + C.M.O.T. Dibbler, Mr Lipwig, Ms Dearheart and whatever new Scheme Moist von is up to,  and then, of course, the Patrician with ever resourceful and loyal Drumknott, they’re all breathtakingly, mind-bendingly, side-splittingly fabulous – but Rincewind just puts me off. He really really really annoys me. The only great thing about Rincewind is The Luggage (Sapient Pearwood! Imagine! The madness! The magnificence!). Barely managed The Colour of Magic, and only because I sat through that ghastly mash-up of a movie. Afterwards I had to read it. Rincewind is that character who just makes you want to reach into the book and slap people, meaning him. Though some of the scenes with him in it are utter hilarity.

Oh and one more thing: Really, the Luggage. The Luggage. I dare you to come up with something as hilariously insane as the Luggage. Go on. Try it. I shall sink my reading teeth into it, promise.
j.d.

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books loretablogdotblogspot parasol lucia and mapp on flickr

such a thing

lean back in the light
hold tight
echoes known
growing

flickers of sight
flashing sharp
specks of touch
glowing

hints wafting to quizzical noses
a taste on the tip of a tongue
showing everything all at once
like music
the sound of words
sun-sudden, hot, warming

*

high, low
a timbre falling
in sunlight singing
raindrops swell, peak, explode

together, they say
together you must
but in the loud quiet: a country

soft borders shown
drawn black against light
held tight, invisible
knowing

it’s all your own
.

 

© 2015 threegoodwords

maybe seven

 

typewriter jasmine-mariedottumblrdotcom

no point
in playing it safe
no art
in not daring

look over the edge
all the way down
see it, feel it
know what’s waiting there

it might scare
one or two off the page
maybe more

madness, mayhem
insight, wisdom?
this is not peek-a-boo
not looking
doesn’t mean it’s not there

*

five senses
six, maybe seven
if you count memory
imagination

yes, think
feel
inner, outer skin

taste
touch
scent

trace and trace
the worlds without, within

sound
sight
detail

perception
understanding
defining real

.

 

© 2015 threegoodwords

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