34 Willow Drive

 

coffee 7

34 Willow Drive was a very tidy place, with a neat front garden and perfectly cut grass in the back. You took off your shoes before stepping into the main house, and you took your plate to the kitchen after dinner. Prayers were said before you ate, and on Sundays the whole family dressed up smartly and went to church where there were other families with Sunday clothes on.

In the beginning the other parents were very curious about Caden, and asked Mr and Mrs Corrigan questions, giving Caden pitying looks after those conversations. The children were more forward, asking him if his Dad really almost beat him to death and wanted to see his bruises. The Willow Drive children were fascinated, and Caden was thought to be tough and dangerous since he had survived such violence. Matthew and Stephanie, (who liked to be called Steff, with two fs), liked to brag and show off with him as long as Caden was a novelty. In school they introduced him as a cousin from far away who had a dark past that made everyone curious, but after a few weeks the latest computer game came out and there was Christmas to think of and Caden was like everyone else.

Matthew and Stephanie, who, after the excitement of novelty had worn off, realised that Caden was not a guest, but had actually come to stay, Matt and Steff lost their benevolence and did their best to ignore him. They enjoyed calling him Rice or Riceboy when their parents weren’t listening, simply because Caden liked rice. He’d never eaten it outside the curry shop, and they only went if Aunt Vicky remembered to. When allowed to join in their games, Caden was responsible for all the menial jobs. He was always the servant, the worker, the villain. He enjoyed being the Red Indian most. Others might have thought Matt and Steff’s behaviour mean, but Caden, who had never lived a day in peace at home since Mother left, who never knew how it was to have siblings, who had never had the opportunity of regular meals, clean clothes and a bed that didn’t turn into a trap if someone came home drunk and violent, Caden did not feel the effects of their behaviour until much later. In the beginning he was just content with having another life. He often looked to the sky and wondered if his mother had seen how bad things were and finally found a way to save him. He didn’t know. He went to church and heard about God, but what the Vicar said didn’t really interest him. Caden said the prayers at dinner and made sure to tie his tie correctly before church, (Aunt Vicky had shown him, mumbling there was nothing sillier than a man who couldn’t tie his own shirt, her cigarette hopping up and down while she talked, ashes flying everywhere) but otherwise that part of life at the Corrigan’s remained closed to him. Caden preferred thinking that his mother was on a cloud somewhere, or that the Force actually existed. To Caden at ten, that made much more sense.

 *

Mr and Mrs Corrigan were what people called ‘steady’. They treated Caden as one of their family and never favoured him to their own children, nor their children to him. They worked hard, had strict schedules and did not like being interrupted if they were busy unless it was serious. Every Wednesday, Mrs Corrigan went to her bridge evening and on Thursday nights Mr Corrigan liked to play darts with his friends. He always came home smelling of cigarettes. The Corrigans were not the kind of happy couple you saw on TV, the kind that always laughed and cuddled their kids, living in the big shiny houses. They smiled if you did something well or patted your head. Physical contact, as they called it, was rare in the Corrigans’ house, even between Mr and Mrs Corrigan. They did not hug or cuddle Matt and Steff either, and Caden, who had had too much physical contact for his first ten years, Caden was relieved that no one would be touching him constantly like Aunt Vicky liked to do.

Speaking of Aunt Vicky, she always came at least once a year to see Caden after he moved to the Corrigans’. In the beginning Caden thought it a little tedious to have her come, but in later years he came to enjoy Aunt Vicky’s chaotic visits that always lasted a whole weekend. In his teens he discovered her great talent of making people laugh. She was someone who didn’t expect anything from you except to enjoy yourself and have a good time. She smoked, she drank, she was loud and what Mrs Corrigan called ‘vulgar’, but she was also the kind of person you could ask anything, and Caden took advantage of that when it came to those questions he would never ask the Corrigans. To them, the world was made up of fixed facts of good and bad, order and chaos, enemies and friends, and for a teen like Caden who knew how twisted and out of sync things could be, their answers were always lacking.

At least Aunt Vicky heard you out, maybe asking a few questions in this direction or that. Caden never fully understood them, but at least she asked. And she tended to let him come to his own conclusions. If it was good she smiled and nodded, if she thought it could do with some improvement, she would purse her lips like Mrs Corrigan and continue whatever she was doing. Another thing Caden enjoyed about Aunt Vicky was how she irritated Matt and Steff. They never knew how to take her. She wasn’t fashionable, but she was fun. She wasn’t posh, but she was funny. And she made Caden feel normal again. Having Aunt Vicky come visit always felt like a holiday, a three-day holiday outside his usual life in 34 Willow Drive and by the time Caden passed his GCSEs her visits weren’t something he would have wanted to miss.

©2014 threegoodwords

Disney revisited

There are spoilers in here, but I guess if you’re already reading a post on Disney, you’ve seen the movies too…
And yes, the © of the pics belongs to Disney. In case someone was wondering…
*

 Just recently Disney came up in a conversation about plots and movies and that got me thinking…

 

 sleeping beauty 2 cinderella 2 snow white 2

It’s interesting how Disney heroes and heroines have changed over the decades. If you look at Snow White, there isn’t much of a conversation going on between the Damsel and the Prince. Damsel runs away from evil step-mom, hides out with seven little men, gets found out, eats apple, everybody thinks she’s dead, Prince comes along, kiss, The End.

There’s a bit more conversation between Cinderella and her Prince but it’s left to the audience to guess since they’re waltzing away and talking in the gardens. You can’t imagine any shenanigans there, though Cinderella does flee from said Prince in a could-be-a-kiss situation. As for Sleeping Beauty, they actually meet on their own, with the help of a few woodland familiars, and they dance Once upon a Dream and then just stand at that tree gazing at the castle. You can imagine the conversation:

Aurora: How beautiful!
Prince Phillip: Oh, yes, quite, but not very practical.
Aurora: Practical?
Prince Phillip: No battlements. And the moat, there’s hardly a fish in it. One well-set fire and the whole place’ll go up in smoke.
Aurora (stopped listening after ‘battlements’; sighs): It is beautiful though…
Prince Phillip (realises what he just said): Father was probably right, come to think of it…
Aurora: About what?
Prince Phillip: King Stephen is not… that is not the safest place to rule a kingdom. What was he thinking?

And so on and so forth. Actually the end of that conversation could very well be a fight, the Damsel taking patriotic side with the King – she doesn’t know he’s her dad too – and the Prince making it worse by being honest…possibly why Disney didn’t bother to have them start talking in the first place.

ariel

Then there’s the long haul through the ‘70s and the ‘80s , where it’s more about coming of age stories, à la Arthur and Oliver Twist, but then the late ‘80s, early ‘90s, another Princess: Ariel. This time the girl sees the boy and is smitten, Daddy ain’t too impressed, wicked witch is hap-py (‘body language’). Girl gets a try to impress boy but can’t talk, poor thing, but at least they go out and see his kingdom and get a nice frog-concert and all in all there’s definitely some quality time there, which justifies some daring on the Prince’s part.

Beauty and the Beast is far more modern: slightly awkward girl moves to new stuffy provincial town (luckily no one knew about Edward and Bella back then… dear God, imagine…), can’t really see eye to eye with anyone except her books, but has the good luck of serious prettiness, which puts crazy suitor on her trail who’s so full of himself you’re just waiting for that hairy chest to burst. So the motivation is: escape, adventure, something different for crying out loud. And thus helped by crazy daddy, girl ends up in a monster place, with a monster master and talking dishes who are cheeky but sweet, and the monster is actually quite nice after all. Lots of quality time, great lighting, great music, great dancing, everyone’s happy.beauty and the beast 2 Then the inevitable Big Choice is made and the monster turns out to be a gentleman only for the mad-hat suitor to turn up and spoil the show. A bit of fighting and some nasty stabbing (blood! *gasp*) and you can understand the girl’s I love you, coz compared to the mad-cap provincials the monster’s quite a catch. Inevitable happy ending with very pretty prince.

On we go to Aladdin: now here’s a guy girls like to crush on: all dash and daring, wants to get on in the world because he knows his worth and he’s not bad looking either. He’s had a few scraps with the police, but he’s got a heart of gold. Then we have the Princess: serious pressure to finally get married only it’s not Mother nagging but Father getting worried, but Papa is cute and exasperated by drop-dead-gorgeous daughter, and so is entirely made out of soft spots. Naturally has a treacherous adviser who has smoldering plans re world domination. aladdin and jasminWhile planning to take on power with help of dashing diamond-in-the-rough, Princess decides enough’s enough, I want the real life, only to get a bit too much of said real life. She’s promptly saved by our dashing daring hottie-hero who gets a large helping of love-at-first-sight. So boy is all eyes for girl, girl has some genteel hots for boy, but psychotic royal adviser spoils it all. The rest is an adventure for both, what with the blue brassband of entertainment where it’s all about fake identities and getting the girl, until the final showdown where the Princess has a chance to go full-out Mata Hari and would have succeeded if the hero hadn’t messed it all up by falling for the act too (that ‘pussycat’ is still hilarious). In the end, you’re pretty sure guy and girl know who the other one is, there’s been a lot of fighting and forgiving, so no great worries there.

I’ll leave out The Lion King because the whole movie is about giant cats, a few hyenas, very many wildebeests, a bird, a warthog and some small hulla-dancing animal.

Now to Hercules. Never mind how they mangled the plot (Hera as mother to Hercules? P-lease!) but we’ve got a real Hero as the hero and we’ve got one sassy girl who knows what it means to have a broken heart. Meg 2And she’s got some lip on her that girl, (‘Do you have a name to go with those rippling pectorals’ – Disney definitely sexed that one up). In any case, it’s about the big stuff: honour, loyalty, love and betrayal and forgiveness, next to a nastily fun Hades whose hair I’d like to borrow. By the end of it, you know Herc and Meg know how bad it can get with either, and whatever choices have been made, you can’t say they don’t know what they’re getting.

Then Pixar derailed Disney for a while, and Shrek just shredded the whole fairytale concept, but we still have a hero and a heroine, and all the problems ex-suitors and in-laws, best friends, their wives (and fire-burping kids) not to mention one’s own. Shrek takes the whole deal and runs with it, it’d take too long for that now.

Next on the list is The Princess and the Frog, and again, we have a hero who’s a bit of a twit, but a charming and good-looking one, though he knows that a bit too well (‘Kissing would be niiiiice’). And we have a no-nonsense girl who has A PLAN, only to have tall, dark and handsome frog-leap right through it. frog 3They have the whole Bayou to help them get to know each other, never mind the tongue twisters and jazzing alligators. By the end of it, the Prince learnt a few lessons and the Princess softened a bit and made some space for a life in her PLAN. By the time they have the ring on their finger, you know they know each other’s strengths and weaknesses, and you can actually see making that restaurant work the way it should. A couple as a team, that’s a first.

Onwards to Tangled, I mean Rapunzel: girl locked up in a tower but that won’t keep her from using a frying pan. Our hero is dashing and debonair, again a bit too full of himself, but with a heart of gold. tangled 3I’m just realizing most later Disney heroes are a bit too full of themselves, but actually nice chaps at heart. In any case,  they have a whole kingdom’s worth of time to get to know each other’s strengths and weaknesses, by the end of which it’s actually believable when the wedding bells ring and there are white doves everywhere. A lot of team-work is needed – just to get out of that tower in the first place, not to mention blondie’s Momma issues and the boy’s dalliance with the police  – so the ‘couple as team’ concept has probably come to stay.

And finally Frozen. That Elk. What’s with those two? Talk about bromance, only it’s an elk-mance or something. Anyway, so there’s two sisters, older sis has dangerous powers, little sis just wants love. Tragedy strikes, and the usual royal complications take place, and finally little sis gets into some kind of adventure after kinda-sorta falling for you-know-who… frozenand I’ll stop there because some people maybe haven’t seen it yet, and that’s enough spoilers for now. Anyway, Frozen is another gear change in the hero-heroine meta-narrative (yes, I said it) that Disney employs, which makes me really curious about the next feature film they’re going to make. A whole new world altogether.

So yeah… Disney’s changing, in baby steps, yes, but still. Let’s see where they’ll go next.

© 2014 threegoodwords

Anna Fonte's Paper Planes

Words, images & collages tossed from a window.

Classic Jenisms

Essays, notes & interviews on why literary fiction matters to human living

von reuth

small press. great publishing.

a thousand and one books

but don't take my word for it

Kristiane Writes

Home hub & scribble space of Prose Writer & Poet Kristiane Weeks-Rogers (she/hers), author of poetry collection: 'Self-Anointment with Lemons'.

The 100 Greatest Books Challenge

A journey from one end of the bookshelf to the other